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・ Music librarianship
・ Music library
・ Music Library Association
・ Music licensing
・ Music Hall Strike of 1907
・ Music Has the Right to Children
・ Music Hath Charms
・ Music history
・ Music history of Barbados
・ Music history of France
・ Music history of Hungary
・ Music history of Italy
・ Music history of Portugal
・ Music history of the United States
・ Music history of the United States (1900–40)
Music history of the United States during the colonial era
・ Music history of the United States in the 1950s
・ Music history of the United States in the 1960s
・ Music history of the United States in the 1970s
・ Music history of the United States in the 1980s
・ Music history of the United States in the late 19th century
・ Music history of the United States to the Civil War
・ Music Hole
・ Music Hop
・ Music Hour
・ Music Hour (Porno Graffitti song)
・ Music Idol
・ Music in a Doll's House
・ Music in advertising
・ Music in Adygea


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Music history of the United States during the colonial era : ウィキペディア英語版
Music history of the United States during the colonial era

==Native American music==
(詳細はclassical music, nor a secular song tradition. Their music was spiritual in nature, performed usually in groups in a ritual setting important to their religion; for some groups, music was the primary means of worship, and song was regarded as a direct link to the divine. Though many Native Americans claim their songs are unchanged since ancient times, there is no proof of this (due to a lack of written records). Many songs were improvised.
For a long time, and continuing into the present, many American beginner's guides to learning the piano contain a song purported to be Native American in origin. In reality, these songs have little or no relationship to actual Native American styles, and are merely a vehicle to introduce left-handed repeated harmonic fifths or the minor mode in the melody.
It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions. It was not until the much later work of Arthur Farwell, however, that an informed representation of Native music was brought into the American classical scene.

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